Penney Play, Nika Noire

Flying into the stars. A treatise of method : sophomoric glory graduating to cunt final exam. This superlative scene is the medium term of two other masterpieces of the Factory : the Penney / Derrick shoot at F&B, and the Nika / Dia one at CB (shot later), as if giving birth by itself to their splendor. In the Derrick shoot, we have the same story-line of the "good" girl glasses upon nose having to recognize she's a slut (and here a cunt) ; in the Dia shoot, the same tremendous energy into the scene with superb visuals. This shoot, less cerebral than the F&B one, and less physical than the CB other one, in fact dominate these two scenes by a sort of "total quality". Nika NEVER stops to give input of doming into the scene and IS a scene of her own into, as Chanta was in her classical shoots : her visual presence, her superb fluid way of playing (I understand now she is a born actress), her rhythm extremely tight of weaving aggression, verbal injunctions, closeness to the face, pleasure of doming and forced orgasms is something which splashes the screen here. The tempo of everything is dazzling. Over 700 hits, mainly by hand, distributed amongst many other attitudes. A constant relation with the sub (Penney is great here) through her own way of presence into move. Powerful fucking actions. We are all riding wild horses in the music of the wind into the steppe. A great dome is born. A masterpiece.

-- regisjean